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Man like you patrick watson meaning

You might be slow to warm to Tom Misch. Do we really need another blue-eyed prince of soul? No falsetto though. His debut album, Geography , the vast majority of which he produced himself, also carries echoes of Craig David and Jamie Woon. At their best, Hawthorne and David are strong songwriters, and Misch, who started singing over the past several years, is still working to acquire that skill. His comfort with Misch the two have worked together previously allows him to treat his verse as a punctuation mark, and it turns the song into an outright jam.

SEE VIDEO BY TOPIC: Patrick Watson - Man Like You (Norika Covers)


Patrick Watson - Man Like You

To say that Patrick Watson is a true vision of experimental musicianship would be a huge understatement for the Canadian based group.

To get to the center of the eclectic cabaret pop, electric folk rock sound of the four-piece band consisting of Watson on vocals, piano, and guitar, percussionist Robbie Kuster, and bassist Mishka Stein one needs to climb underneath the sound and discover each layer as it displays the told tales of Patrick Watson, who spent the majority of their career touring in Europe.

Once underneath those layers it's easy to find the eclectic group has discovered with each album the shifts and changes in moods that live in each town they've stopped in -- always on the hunt for a new sound. This hunt started in and since then has pulled them in many different directions, including a huge collaboration in on the Cinematic Orchestra's album Ma Fleur , landing them new legs to stand on with television exposure for songs like "To Build A Home" and "That Home". The band kept on coming back together instrumentally to collaborate on a few multimedia projects and have found their purpose in the space of alternative sound.

This sound has brought them to think outside the box from typical melodious numbers one might assume would be their staple sound especially when Watson's vocals on occasion might be compared to the lamenting edge of Jeff Buckley or Nick Drake. Pulling a lot of their inspirations from images in their mind, the band -- with Watson in the forefront -- has thought up ways to manipulate the simplicity of sound.

Whether it's using a bicycle to create a whimsical feeling on their last album with "Beijing", using a megaphone for warped vocals, or using two spoons on an electric guitar for a wavering effect on Wooden Arm's track "Man Like You".

While these leaps have kept the band's imagination always churning, Patrick Watson decided to pull the reigns back for Adventures in Your Own Backyard , their latest effort, which feels more like a lush lived in dream, as opposed to being on the run from a Tim Burton-y nightmare of the albums before.

If this is a real hunt then Adventures in Your Own Backyard is their final destination before the big kill. Although it's not completely obvious how the band's previous efforts got them to arrive at this lush melodic, springtime sound, one should look no further than the backbone behind the quartet.

Watson's voice is still as nuanced and sweeping as ever, and the images are more permanent instead of flashes of lightening. This latest effort is a metaphorical call back to simpler times, allowing the lyrics to float seamlessly to the forefront, creating an optimistic, falling in love in the woods feel. Tracks like "Strange Crooked Road" "Quiet Crowd" and "Into Giants" pull this track disc into a motion picture worth sticking around to see the credits roll.

PopMatters sat down with the Patrick Watson to discuss his inspirations and the journey that led him to exploring his own adventure in his backyard on Montreal People may not know that Patrick Watson is not just comprised of you; it's a whole band. How did that come about? We were all studying music together. I met this photographer who was making this book of photos underwater, and then she asked me to make music for this book, so I made the soundtrack for the book.

When we all got together to record for this project we really thought that we were just backing up her visuals. After we did that we decided to do a show for fun, so we did the show and it went super well.

So the artist kept on doing these multimedia projects and slowly but surely we stuck, and people knew the music. We started getting known for the shows that we were doing with the artist. By the time we turned into a band it was really difficult to change the name. You've done a lot of collaborations. My favorite collaboration was your work with the Cinematic Orchestra.

Did you take away lessons from that experience? When I got the gig they wanted this singer, and they had these three chords, and I heard them and wrote a song for them on it. They're all super nice guys but I think I just do what I do when I wrote it, and I didn't think much about the song after I finished it. Then they put the song as the first track of the record and I guess people just kind of took a liking to that song. I think if anything I took some stuff away.

It showed me how a simple piano on a song can be so powerful to people. I'm sure you've heard this before but your voice is striking similar to Jeff Buckley. As a listener and fan of the both of you, I feel like you know exactly when to pull back on the vocals, there's a distinct nuance in your voice. Is that a conscious decision? I'm kind of a firm believer that singing is one of the most instinctual instruments in the way that you just do things that make you feel good when you sing.

I don't think you ever make conscious decisions about it. Even the way you sing, you sing what you own in a way. You make the sound that you make.

When you sing all you do is think about giving yourself goosebumps. Your voice really soars at a pretty big range. What's your vocal background like? Have you trained classically? I sang in a choir as a kid. I started pretty young at seven. I kind of always sang, and then I had a break from singing, obviously, [ laughs ] like at 14 to 18 like most guys. When I started singing again, I wasn't like "oh, I'm going to be a singer.

I was starting to be a composer for film, and then when I had the photos in front of me I found interesting ways of writing lyrics. I found a way of writing a song that really works for me and over the years I really developed that. I think that's why as you get later in the albums in a way, they kind of get better because I started so late in the game in terms of learning how to write songs.

I think for this record I feel very happy about the lyrics and feel that the songwriting itself is really strong. I think it's going to get stronger because it's not what I started off to do. I just became something like that. You seem to be a musician that lives and plays in the space of a sound, how do you capture that or is that just instinctual?

I think whenever you finish a record you start to open your ears to all sorts of different things, and then you go on the hunt to find all these different types of towns that inspire you and different things you want to bring into your music.

Then you go on tour for a year, and you try to own and incorporate new sounds and new ideas, and by the time you get to the next record you're going to have a bunch of new ideas or stuff you want to try. It's kind of a constant of keeping your ears and eyes open. I think it's really important that you evolve, and each town evolves. You don't last long if you have the same song that plays over and over again.

So I have to ask since the album is called Adventures in Your Own Backyard , what was your greatest adventure as a kid? I used to live behind train tracks in the woods. I used to walk really late at night.

I'd walk down the tracks into the woods in the night and have my headphones on. Those are my favorite adventures. Still to this day I don't think anything beats it. So you recorded this album in Montreal, would you say it kind of meshed with the theme of coming home as finding your place in the world or finding the sound you wanted to put out? We spent a lot of time traveling and recording. We've been to Iceland.

We always love to travel and record while we're on tour. On this record we wanted to go home and take a year where we went in and out of the studio daily with a simple set up, and concentrate and make sure we got the right songs to put out next. I just wanted to put out an album with 12 beautiful songs and I just wanted to wait until we had those songs, so for me, I think just having more patience on this record, and a simple set up when you come in every day or if have an idea you can run to the studio.

There's no clock ticking with cash going down the toilet, it's just a natural place to do that and I thought it was fun. You were saying that you find the sound along with your experiences. I feel like this more than any of the albums have a real, melodic approach. Were there any places you went to specifically just to feel that?

I think there's definitely one melodic aspect, especially in the second-to-last songs. We were traveling to the Grand Canyon at one point, and we stopped at this gas station. Then we see this guy who peels up in his jeep and he rolls down his window and asks, "Are you guys aliens? He said, "You have to ask your piano for a song. I think that drive had a huge influence on this record when I look back.

The trumpets in "Adventures in Your Own Backyard" and "Lighthouse" in the very beginning kind of gives it that sense of humor for an adventure of people's dailies lives. I guess that would be how I approached the big melodies on this record. I'm feeling pretty melodic these days. The last album felt extremely melodic too so I don't think I'm changing course yet. It's difficult to say. In terms of the bands out there now, Grizzly Bear is one of them.

They're a band that blew me away in terms of newer upcoming bands. That was the one that made me go "wow". We're touring with Andrew Bird right now and he's an amazing musician, he makes this beautiful music that just happens.

I've always loved Sufjan Stevens -- he's probably the closest to what I do in a way. There's always great stuff like Beirut. In terms of older stuff it goes anywhere to classical musical like Ravel. I think they would win the award for writing the most beautiful songs. My personal favorite song on the album is "Strange Crooked Road". It has a really upbeat; springtime, feel, and the cadence of the drums are in there as well.

Can you tell me how that song came about? Our bass player Mishka [Stein] has been working on that idea for a year and I kept on having this melody. This first story is about this woman who's husband was mean to her her whole life and abusive. One night he fell drunk in the bed and she sewed him to the bed and she said, "I'll never let you get out of this bed until you promise to be nice to me.

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What unites these personalities is a befuddling charm. Like an awkward schoolboy, the singer and keyboardist talks ten to the dozen. It's really dangerous to cross the road. I just think it's complicated.

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Patrick Watson (musician)

Patrick Watson born in is a Canadian multi-instrumentalist and lead singer-songwriter in the band Patrick Watson hailing from Montreal, Quebec, Canada. Patrick Watson is a band. Of course, they take their name from the main man himself, Canadian singer and song writer Patrick Watson but the band has had the same lineup since starting in meaning the rest of the …. Read more. Report as inappropriate. I first saw Charlie Cunningham as a support act for Stornoway. I really enjoyed this gig at the Holywell Music Room in Oxford. He's a great performer and his band are good musicians, too. My only complaint is that …. See all videos 2.

Patrick Watson

Patrick Watson born is a Canadian singer-songwriter from Montreal , Quebec. It also refers to the eponymous band formed by Watson, whose blend of cabaret pop and classical music influences with indie rock has been compared to Rufus Wainwright , [1] Andrew Bird , Nick Drake , Jeff Buckley and Pink Floyd for its experimental musicianship. While living in Hudson, Watson worked as a pool and hot tub water analyst at Piscines et Spas Hudson. He began his musical career in high school as a member of a ska band called Gangster Politics.

This song is by Patrick Watson and appears on the album Wooden Arms Lyrics licensed by LyricFind.

To say that Patrick Watson is a true vision of experimental musicianship would be a huge understatement for the Canadian based group. To get to the center of the eclectic cabaret pop, electric folk rock sound of the four-piece band consisting of Watson on vocals, piano, and guitar, percussionist Robbie Kuster, and bassist Mishka Stein one needs to climb underneath the sound and discover each layer as it displays the told tales of Patrick Watson, who spent the majority of their career touring in Europe. Once underneath those layers it's easy to find the eclectic group has discovered with each album the shifts and changes in moods that live in each town they've stopped in -- always on the hunt for a new sound.

Patrick Watson:Man Like You Lyrics

Lyrics submitted by sea0fteeth , edited by Ajensis. Log in now to tell us what you think this song means. Create an account with SongMeanings to post comments, submit lyrics, and more.

SEE VIDEO BY TOPIC: Tom Misch - Man Like You (Patrick Watson Cover) - A COLORS SHOW

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Patrick Watson rises above grief in his new album Wave

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Oct 16, - Melody Noir, with its tango-style verve and groovy French-pop uplift, is about filling the hole inside us. Watson even wrote his first-ever love.

After years of groundbreaking albums and truly unique live performances, Watson, who also won the Polaris Music Prize for his Close to Paradise album, seems to have completely won over the city he calls home. Watson jokes that we should be out watching Star Wars on its opening night but is grateful to see another packed room before him. Hearts gets the audience moving a little, its bouncing guitar refrain lifting the mood before the dramatic Bollywood takes us back to the melancholic ebb and flow of much of his work. A mystical In Circles is complemented beautifully by a lazer show that fills the entire room. And there are plenty around him!

Man Like You

The fifth album from Watson the name signifying both the man and his band , Love Songs For Robots does the same, but also stretches the pattern and colores beyond the expected edges. Indulging some more experimental urges, Watson surpasses his prior efforts, the ornate but somewhat languid albums like the Polaris Prize-winning Close to Paradise and Wooden Arms. While the record is built around guitar and piano, it does employ more synths and electronic elements, making for a larger, more adventurous sound that marches directly in the opposite direction from its quieter, simpler predecessor Adventures In Your Own Backyard.

On the Hunt with Patrick Watson






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